This 4-CD box set (released in 1998) won the GRAMMY Award for Best Boxed Recording Package, as it reprised the memorable cover art of the late Mati Klarwein. Again covering less than six months time – from August 1969 (the week after Woodstock) through February 1970 – this is when the influence of Jimi Hendrix, Sly Stone, James Brown, Santana, and Marvin Gaye, as well as the Beatles’ post-production editing pyrotechnics all came together for Miles. To his new quintet lineup of Shorter, Corea, Holland and Jack DeJohnette (drums), Miles often augmented the sessions with a dozen other players, among them: McLaughlin, Zawinul, Bennie Maupin (bass clarinet), Harvey Brooks (electric bass), Lenny White (drums), Don Alias (congas), and so on. The result was one of the greatest albums of Miles’ career, and one of the most influential records in post-modern jazz and rock.