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Miles Davis
The Electric Years
Miles Davis: The Electric Years
Release Date:
Nov, 2023
Label:
Columbia Records
Tracklist
Artist Name
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1. Shhh / Peaceful
2. In a Silent Way
1. Pharaoh’s Dance
2. Bitches Brew
3. Spanish Key
4. John McLaughlin
5. Miles Runs the Voodoo Down
6. Sanctuary
1. Right Off
2. Yesternow
1. Sivad – Live at the Cellar Door, Washington, DC – December 1970
2. Little Church
3. Medley: Gemini / Double Image
4. What I Say – Live at the Cellar Door, Washington, DC – December 1970
5. Nem um Talvez
6. Selim
7. Funky Tonk – Live at the Cellar Door, Washington, DC – December 1970
8. Inamorata and Narration By Conrad Roberts – Live at the Cellar Door, Washington, DC – December 1970
1. On the Corner / New York Girl / Thinkin’ of One Thing and Doin’ Another / Vote for Miles
2. Black Satin
3. One and One
4. Helen Butte / Mr. Freedom X – Unedited Master
1. Great Expectations
3. Recollections
4. Trevere
5. Go Ahead John
6. Lonely Fire
7. The Little Blue Frog
8. Yaphet
1. He Loved Him Madly
2. Maiysha
3. Honky Tonk
4. Rated X
5. Calypso Frelimo
6. Red China Blues
7. Mtume
8. Billy Preston

The Miles Davis: The Electric Years box set collects seven albums from one of the most daring eras of Miles Davis’ career — In A Silent Way, Bitches Brew, A Tribute To Jack Johnson, Live-Evil, On The Corner, Big Fun and Get Up With It.

Starting in 1969 and ending in 1974, this box tells the story of a fertile period in Miles’ career, the third or fourth time he basically blew up the rules of jazz and made it again in his own image. Endlessly influential, these albums impacted basically every genre of music to follow in their wake.

The albums have all been mastered AAA from 1-to-1 tape transfers of the master tapes by Ryan Smith at Sterling Sound. With GRAMMY Award-winning Steve Berkowitz supervising and consulting, the 11 LPs featured in the box come on 180g black vinyl, pressed at GZ, and will be limited in the first edition to 2,000 units. You can learn the story of these albums via an extensive Listening Notes booklet written by jazz historian and critic Ben Ratliff.

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